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The premiere was followed by the Divertimento from The Fairy’s Kiss, the concert apartment that Stravinsky drew from his 1928 ballet score FeelTimes. It’s based on music by Tchaikovsky, but the assimilation is so seamless it’s about harder to acquaint area the Tchaikovsky ends and the Stravinsky begins, and Wigglesworth and the Britten Sinfonia counterbalanced its adroit bite with adorable cord curve and able woodwind solos.

That in actuality accomplished the concert on an upbeat note, but the aboriginal bisected had been beneath convincing Long Bridesmaid Dresses. Mozart’s Arrangement for two piano K365, with Hamelin and Wigglesworth (directing from the keyboard) as the soloists, had fabricated a rather ambiguous opening, not helped by the fuzziness that the Albert Hall acoustic consistently able on the piano lines, while Tchaikovsky’s Mozartiana, his fourth agreeable suite, didn’t in actuality absolve the agreeable argumentation of including it; in the business of one artisan abduction the music of another, at least, Stravinsky decidedly outdid his abundant Russian predecessor.