Music titan Quincy Jones has died at age 91.
His publicist said he died on Sunday night at his home in Los Angeles.
Jones's historic career ranged from producing Michael Jackson's record-setting Thriller to prize-winning film and television scores and collaborations with Frank Sinatra and Ray Charles.
"Tonight, with full but broken hearts, we must share the news of our father and brother Quincy Jones' passing," the family said in a statement.
"And although this is an incredible loss for our family, we celebrate the great life that he lived and know there will never be another like him."
Jones rose from running with gangs on the South Side of Chicago to the very heights of show business, becoming one of the first black executives to thrive in Hollywood and amass an extraordinary musical catalogue that includes some of the richest moments of American rhythm and song.
For years, it was unlikely to find a music lover who did not own at least one record with his name on it, or a leader in the entertainment industry and beyond who did not have some connection to him.
Jones kept company with presidents and foreign leaders, movie stars and musicians, philanthropists and business leaders.
He toured with Count Basie and Lionel Hampton, arranged records for Sinatra and Ella Fitzgerald, composed the soundtracks for Roots and In the Heat of the Night, organised US president Bill Clinton's first inaugural celebration and oversaw the all-star recording of We Are the World, the 1985 charity record for famine relief in Africa.
Lionel Richie, who co-wrote We Are the World and was among the featured singers, would call Jones "the master orchestrator".
Making Michael Jackson a success
In a career which began when records were still played on vinyl at 78 revolutions per minute, top honours likely go to his productions with Jackson: Off the Wall, Thriller and Bad were albums near-universal in their style and appeal.
Jones's versatility and imagination helped set off the explosive talents of Jackson as he transformed from child star to the King of Pop.
On such classic tracks as Billie Jean and Don't Stop 'Til You Get Enough, Jones and Jackson fashioned a global soundscape out of disco, funk, rock, pop, R&B, jazz and African chants.
For Thriller, some of the most memorable touches originated with Jones, who recruited Eddie Van Halen for a guitar solo on the genre-fusing Beat It and brought in Vincent Price for a ghoulish voiceover on the title track.
Michael Jackson pictured with Quincy Jones after eight Grammy wins in 1984. (AP: Doug Pizac)
Thriller sold more than 20 million copies in 1983 alone and has contended with The Eagles' Greatest Hits 1971-1975 among others as the best-selling album of all time.
"If an album doesn't do well, everyone says, 'It was the producer's fault,' so if it does well, it should be your 'fault' too," Jones said in an interview with the Library of Congress in 2016.
"The tracks don't just all of a sudden appear. The producer has to have the skill, experience and ability to guide the vision to completion."
The list of his honours and awards fills 18 pages in his 2001 autobiography Q, including 27 Grammys at the time (now 28), an honorary Academy Award (now two) and an Emmy for Roots.
He also received France's Legion d'Honneur, the Rudolph Valentino Award from the Republic of Italy and a Kennedy Center tribute for his contributions to American culture.
He was the subject of a 1990 documentary, Listen Up: The Lives of Quincy Jones and a 2018 film by daughter Rashida Jones. His memoir made him a best-selling author.
Quincy Jones (left) and his daughter Rashida Jones created a documentary together. (AP: Richard Shotwell/Invision)
Childhood on the streets
Born in Chicago in 1933, Jones would cite the hymns his mother sang around the house as the first music he could remember.
But he looked back sadly on his childhood, once telling Oprah Winfrey: "There are two kinds of people: those who have nurturing parents or caretakers, and those who don't. Nothing's in between."
Jones's mother suffered from emotional problems and was eventually institutionalised, a loss that made the world seem "senseless" for Quincy.
He spent much of his time in Chicago on the streets with gangs, stealing and fighting.
"They nailed my hand to a fence with a switchblade, man," he told the AP in 2018, showing a scar from his childhood.
Music saved him. As a boy, he learned that a Chicago neighbour owned a piano and he soon played it constantly himself.
His father moved to Washington state when Quincy was 10 and his world changed at a neighbourhood recreation centre.
Jones and some friends had broken into the kitchen and helped themselves to lemon meringue pie when Jones noticed a small room nearby with a stage. On the stage was a piano.
"I went up there, paused, stared, and then tinkled on it for a moment," he wrote in his autobiography.
"That's where I began to find peace. I was 11. I knew this was it for me. Forever."
Within a few years, he was playing trumpet and befriending a young blind musician named Ray Charles, who became a lifelong friend.
Singer Ray Charles accepted his Hall of Fame award from Quincy Jones in 2004. (AP: Mark J. Terrill)
He was gifted enough to win a scholarship at the Berklee College of Music in Boston, but dropped out when Hampton invited him to tour with his band.
Jones went on to work as a freelance composer, conductor, arranger and producer.
As a teen, he backed Billie Holiday. By his mid-20s, he was touring with his own band.
"We had the best jazz band on the planet, and yet we were literally starving," Jones later told Musician magazine.
"That's when I discovered that there was music and there was the music business. If I were to survive, I would have to learn the difference between the two."
Entertainment titan
As a music executive, he overcame racial barriers by becoming a vice-president at Mercury Records in the early 60s.
In 1971, he became the first black musical director for the Academy Awards ceremony.
The first movie he produced, The Color Purple, received 11 Oscar nominations in 1986, but, to his great disappointment, no wins.
In a partnership with Time Warner, he created Quincy Jones Entertainment, which included the pop-culture magazine Vibe and Qwest Broadcasting. The company was sold for $US270 million ($410 million) in 1999.
"My philosophy as a businessman has always come from the same roots as my personal credo: take talented people on their own terms and treat them fairly and with respect, no matter who they are or where they come from," Jones wrote in his autobiography.
He was at ease with virtually every form of American music, whether setting Sinatra's Fly Me to the Moon to a punchy, swinging rhythm and wistful flute, or opening his production of Charles's soulful In the Heat of the Night with a lusty tenor sax solo.
Quincy Jones, Jennifer Hudson and Chance the Rapper are co-owners of the historic Ramova Theatre on Chicago's South Side. (AP: Richard Shotwell/Invision)
He worked with jazz giants such as Dizzy Gillespie, Count Basie and Duke Ellington, rappers such as Snoop Dogg and LL Cool J, crooners such as Sinatra and Tony Bennett, pop singers such as Lesley Gore and rhythm and blues stars such as Chaka Khan, and rapper and singer Queen Latifah.
On We are the World alone, performers included Michael Jackson, Bob Dylan, Billy Joel, Stevie Wonder and Bruce Springsteen.
He co-wrote hits for Jackson — P.Y.T (Pretty Young Thing) — and Donna Summer — Love Is in Control (Finger on the Trigger) — and had songs sampled by Tupac Shakur, Kanye West and other rappers.
He even composed the theme song for the sitcom Sanford and Son.
Jones was married three times. His first wife was his high school sweetheart Jeri Caldwell with whom he had one daughter; his second wife was Swedish model Ulla Andersson with whom he had two children, including Quincy III, who became a hip hop producer.
His third wife was Mod Squad actress Peggy Lipton, with whom he had two daughters, including actress Rashida Jones. He had two other children outside his marriages, including one with actress Nastassja Kinski.
AP