The Harpist. Australian Brandenburg Orchestra.
Xavier de Maistre. City Recital Hall. May 5.
★★★★
After a measured introduction from the Brandenburg Orchestra, harpist Xavier de Maistre launched into the solo exposition of the Harp Concerto in C, Opus 82, by French composer Francois-Adrien Boieldieu with elegant clarity, tapering and phrasing each idea with panache and drawing subtle variety from the harp's delicate tonal range.
Refined control: Xavier de Maistre
Boieldieu is sometimes called the "French Mozart" but the Brandenburg Orchestra's performance of the Symphony No. 20 in D major, K. 133 by the 16-year-old Austrian Mozart (not admittedly the best of his teenaged works) put that idea to rest.
Whereas Mozart was a genius at eliding one flight of musical imagination into the next, creating a shifting, irregular sense phrase structure, Boieldieu seemed to like cadences that tied up every idea in a bow, pausing for effect before moving on to the next.
But de Maistre drew out its quintessential grace with stylish imaginative flair.









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